Press kit

A Nashville Southern soul-rock band built around guitarist and singer Matthew Sloan Wallace — blues at the root, soul in the vocal, rock in the amp.

Black Stone Cherry meets Al Green meets Delbert McClinton.

Bookingbooking@southernsoulfoundation.comBooking inquiries get a reply inside two days, with a number and a stage plot.

https://southernsoulfoundation.com/epk · booking@southernsoulfoundation.com

The lineup

The Foundation

He named it himself. It is an attempt to describe the roots of the genres mixed into his playing, and the music that shaped who he is.

  • Matthew Sloan Wallace in a black cap and zip hoodie looking straight at the camera, a Soldano amp head and a shelf of effects pedals behind him.

    Matthew Sloan Wallace

    Guitar, vocals

  • Amanda Chun singing into a handheld microphone with her eyes closed, in a leopard-print coat in a dim wood-panelled room.

    Amanda Chun

    Vocals

  • David Alan laughing, aviator sunglasses and silver hair, amplifiers stacked behind him.

    David Alan

    Organ, keys

  • Al Wooldridge in profile at the drums, straw fedora and grey henley, a vocal microphone on a boom at his mouth and a drumstick over the snare.

    Al Wooldridge (Big Al)

    Drums

  • Melvin Hill smiling at the camera in a black pork pie hat, glasses and a black jacket, warm lamps and a drum kit behind him.

    Melvin Hill

    Bass

David Alan, Amanda Chun, Al Wooldridge and Melvin Hill standing side by side in front of amplifiers and a drum kit under warm lamp light.
Left to right: David Alan, Amanda Chun, Al Wooldridge, Melvin Hill.

The Foundation is a flexible cast of Nashville players around Matthew. Who shows up depends on the room and the night, and the sound holds either way.

The name is a description, not a slogan. Disco and funk off a stack of 45s. Gospel harmony from the Oak Ridge Boys and outlaw country off a television theme. Hair metal off MTV. Hymns every Sunday at Woodlawn Cumberland. All of it went in, and it all comes back out somewhere.

Ask him for the short version and he will give you the one he gives bookers: Black Stone Cherry meets Al Green meets Delbert McClinton.

Bios

The bios, two lengths

Short for a listing, medium for a programme. Copy either one straight from here.

Short bio

52 words

Matthew Sloan Wallace & The Southern Soul Foundation play Southern soul, blues and rock out of Nashville. Thirty-eight years of playing, a standing Saturday jam at Miss Zeke’s Juke Joint, and a flexible cast of Nashville players. The short version he gives bookers: Black Stone Cherry meets Al Green meets Delbert McClinton.

Medium bio

155 words

Matthew Sloan Wallace grew up in Paducah, Kentucky, on hymns at Woodlawn Cumberland Presbyterian and a stack of 45s — Chic, Kool & the Gang, the Oak Ridge Boys — before Van Halen and MTV took over the garage. He started guitar at thirteen, played his first real shows with the Southern gospel group The Disciples, and moved to Nashville in 1998 for Christian rock guitar work. He got it, then spent twenty years playing rooms while working day jobs. The Saturday jam at Miss Zeke’s Juke Joint at Papa Turney’s is where the band took shape: whoever was willing to step out got the chair. The Southern Soul Foundation is the name he gave the result — the roots of every genre mixed into his playing. Live, that means Southern soul, blues and rock with a flexible lineup of Nashville players, from a trio to a six-piece, tuned to the room and the hour.

Formats and logistics

Formats and logistics

Pick the lineup that fits the room. The rest of the night is below.

Lineup formats
LineupPlayersBest for
TrioGuitar and vocals, bass, drumsSmall rooms, cocktail hours, conversation-level sets.
Four-pieceAdds organ and keysClubs and bars where the groove needs to fill the room.
Five- to six-pieceAdds a second vocalist; a sixth player by arrangementFestivals, larger rooms, full-set nights.
Set lengths
45 to 120 minutes. One long set or two shorter ones, your call.
Repertoire
Southern soul, blues and rock — the classics, played the band’s way. Sets are built to the room: conversation-level for a cocktail hour, loud enough to mean it for a Saturday night.
Travel
Nashville first, then anywhere within about four hours’ drive — Memphis, Chattanooga, Knoxville, Huntsville, Louisville, Birmingham, the Shoals.
Sound system
Own PA for rooms under 200. Larger rooms: house system.
Response time
Booking inquiries get a reply inside two days, with a number and a stage plot.

Event types

  • Clubs and bars
  • Listening rooms
  • Festivals
  • Private rooms and parties
  • Corporate happy hours

Technical

Stage plot, inputs, the rest

What we send, and what to ask for.

  • Stage plot

    On request

    Sent with every quote, drawn for the lineup you book.

  • Input list

    On request

    Sent with the stage plot.

  • Backline and PA

    On request

    Own PA under 200. Backline needs depend on the lineup — ask.

  • Hospitality

    On request

    Simple. Ask and we will tell you.

Video

Watch the band

VideoThe first set clip is being cut. When it lands, it lands here. Until then the photographs below and the Saturday jam are the proof.

The stage in photographs

Press photographs and the badge

Photographs and the badge

Save any one from here, or take the lot in one zip.

  • Matthew Sloan Wallace playing a TV-yellow Gibson Les Paul Special in a room at Detroit Guitars, walnut amplifier cabinets behind him.

    Matthew Sloan Wallace — Detroit Guitars

    hero-msw.jpg1672 × 941JPEG228 KB

    Download
  • David Alan, Amanda Chun, Al Wooldridge and Melvin Hill standing side by side in front of amplifiers and a drum kit under warm lamp light.

    The Foundation — David Alan, Amanda Chun, Al Wooldridge, Melvin Hill

    foundation-band.jpg1500 × 998JPEG222 KB

    Download
  • Matthew Sloan Wallace in a black cap and zip hoodie looking straight at the camera, a Soldano amp head and a shelf of effects pedals behind him.

    Matthew Sloan Wallace — portrait

    matthew-sloan-wallace.jpg1085 × 1356JPEG190 KB

    Download
  • Amanda Chun singing into a handheld microphone with her eyes closed, in a leopard-print coat in a dim wood-panelled room.

    Amanda Chun — vocals

    amanda-chun.jpg1086 × 1358JPEG226 KB

    Download
  • David Alan laughing, aviator sunglasses and silver hair, amplifiers stacked behind him.

    David Alan — organ, keys

    david-alan.jpg1003 × 1254JPEG196 KB

    Download
  • Al Wooldridge in profile at the drums, straw fedora and grey henley, a vocal microphone on a boom at his mouth and a drumstick over the snare.

    Al Wooldridge — drums

    al-wooldridge.jpg941 × 1176JPEG140 KB

    Download
  • Melvin Hill smiling at the camera in a black pork pie hat, glasses and a black jacket, warm lamps and a drum kit behind him.

    Melvin Hill — bass

    melvin-hill.jpg1003 × 1254JPEG139 KB

    Download
  • The Southern Soul Foundation badge.

    SSF badge (PNG, transparent)

    ssf-badge.png390 × 390PNG176 KB

    Download

Shows

Where to find us

Nashville rooms, regional dates within a day's drive, and one standing Saturday.

Past dates

The archive starts after the next run.

Book

Book the band

Tell us the room and the night. A number and a stage plot come back inside two days.

Booking inquiry · MSW & The Southern Soul Foundation

No. 002

Tell us the room and the night. If it fits we’ll come back inside two days with a number and a stage plot. Own PA available for rooms under 200.

Emailbooking@southernsoulfoundation.com